Jesus of Nazareth ReviewsJesus of Nazareth
Beginning before the Nativity and extending through the Crucifixion and Resurrection Jesus Of Nazareth brings to life all the majesty and sweeping drama of the life of Jesus (portrayed here by Robert Powell) as told in the Gospels. A star studded international cast featuring Michael York Sir Laurence Olivier James Earl Jones Anne Bancroft Olivia Hussey Rod Steiger and Anthony Quinn adds depth and humanity to the roles of the saints sinners and ordinary people who walked in the footsteps of the Lord. The film provides the setting and background for the birth childhood baptism teaching and many miracles of the Messiah culminating in the Divine Resurrection. Directed by Oscar nominee Franco Zeffirelli and acclaimed by critics and religious leaders worldwide Jesus of Nazareth tells the greatest of all stories with tremendous emotion and splendor.System Requirements: Running Time 382 MinFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 012236128113 Manufacturer No: A012811Originally made for TV in 1977, this in-depth (six hours plus) version of Jesus’ life is so thorough that the first hour is devoted solely to the story of his birth. The film doesn’t skimp on some of the other landmark events of this famous story either. Director Franco Zeffirelli gives more than 12 minutes screen time each to the Last Supper and the Crucifixion. Passages of the Bible are quoted verbatim, the locations have a Palestine-like authenticity, and, aside from some of the principals (Robert Powell as Jesus, Olivia Hussey as Mary, and Stacy Keach as Barabbas), many of the non-Roman characters are actually played by Semitic-looking actors. Zeffirelli diligently provides the sociopolitical background that gave rise to Jesus’ following and the crisis in belief it caused for the people of Israel (and one or two Romans). While not graphic by today’s standards, some of the scenes–baby boys being ripped from their mothers’ arms and slaughtered, nails being driven into Jesus’ hands–may disturb young and/or sensitive children. –Kimberly Heinrichs
Rating:  List Price: $ 24.98 Price: $ 15.06 Get On the Bus
SPIKE LEE COMBINES THE COMEDY OF A CLASSIC ROAD MOVIE WITH THE CONTROVERSY OF THE MILLION MAN MARCH. TWENTY VERY DIFFERENT MEN TRAVEL FROM L.A. TO WASHINGTON, D.C. AS STRANGERS, BUT RETURN AS BLOOD BROTHERS, DESTINED TO RIDE INTO HISTORY TOGETHER.Prolific director Spike Lee (Do the Right Thing, Malcolm X) offers the fictionalized account of the pilgrimages black men all across the country made to the Million Man March in Washington, D.C., and the process showcases a fine ensemble cast of eclectic actors. Shot in a fast-paced low-budget style, the film chronicles a bus trip beginning in Los Angeles and the passengers, all from vastly divergent ages, backgrounds, and beliefs, getting to know one another and discussing their respective reasons for making the trip. The group, including a gay couple, a father and his son, a cop, and an actor, each confront the hostilities and prejudices they have faced as well as the ones they hold within themselves. And along the road they encounter incidents that bring into sharp focus the need they feel to acknowledge their heritage and shared struggle. Frequently entertaining in its rapid pace and cutting dialogue, this small but ambitious effort is sure to provoke debate even as it entertains. –Robert Lane
Rating: List Price: $ 9.95 Price: $ 4.58
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(out of 409 reviews)
(out of 19 reviews)
Review by Daniel Rivera for Jesus of Nazareth
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After more than two decades, JESUS OF NAZARETH remains the greatest motion picture on the life of Jesus Christ -unsurpassed and second-to-none. Beautifully directed by Franco Zeffirelli (best known for his 1968 version of Romeo and Juliet) and featuring a constellation of the greatest international actors: Sir Lawrence Olivier, Rod Steiger, Anne Bancroft, Ernest Borgnine, James Earl Jones, Anthony Quinn (among others, oh my!), this six-hour magnum opus has given flesh and humanity to the people and events of the Gospel narratives like no other movie before or since.The film begins with the events prior to the Anunciation and Nativity, through the life of Christ, leading up to the Crucifixion and Resurrection, from Joseph’s betrothal to Mary (played by Olivia Hussey, best known for her role as Juliet in the aforementioned film.) to the Empty Tomb on Easter Sunday. First-rate production allows us to observe with great detail the customs and daily life in first-century Judaea. The backdrop of Roman oppression and Jewish discontent is masterfully shown and successfully correlated to Jesus’ ministry, in particular the political maneuvering of the cunning Herod (wondrously played by Peter Ustinov) and its effects on messianic expectation. Many persons mentioned only in passing or alluded to in the gospels such as Caiaphas and Pontius Pilate are portrayed with great credibility, allowing us to understand the historical figures’ motives and intentions more fully.Among the numerous superlative performances, surely the most notable is that of Robert Powell in his role as the Nazarene, whose performance subtly captures the humanity of the Son of God, neither adding human weakness where none is present (vis-a-vis The Last Temptation of Christ), nor resorting to docetic immutability (Greatest Story Ever Told). Indeed, one senses that Jesus is fully aware of who He is in this film. In terms of scope, detail and production, this film is a must-see, setting a standard of excellence which unfortunately has not been met since. JESUS OF NAZARETH makes for great viewing not only for the seasoned Christian but for seekers and those interested in an intelligent approach to the life of Christ. SUPERB.
Review by scherf.com for Jesus of Nazareth
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To date, “Jesus of Nazareth” is most certainly the best Jesus movie ever made. Director Franco Zeffirelli presents the story of Jesus Christ in a very authentic manner. This film sticks pretty much to the script, the Holy Bible. This historical account of Jesus starts before the birth of Christ and runs through His life, His substitutionary death for all our sins on the cross, and His reappearance afterward. Much time is spent on our Lord’s three-year long mission preaching and performing miracles as an adult on earth, and many scenes are genuinely touching, leaving not a dry eye in the audience. We’ve first seen this movie when it was released back in the late 70s, and since then we’ve watched it a few dozen times. The nearly six and a half hours running time are not a bother for those interested in the life of Christ. This picture comes across as a very well funded production and much care has been given to detail. We’re certain that most viewers will be touched, aided by Robert Powell’s realistic performance and portrayal of our Savior Jesus Christ. This movie will make you think about your personal relationship with God, while you’ll enjoy an exceptionally well-made motion picture.
Review by B. W. Fairbanks for Jesus of Nazareth
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Prior to its debut on NBC in April 1977, “Jesus of Nazareth” was the subject of considerable controversy after director Franco Zeffirelli suggested his interpretation of Jesus would veer wildly from previous screen versions of the Gospels. Suspecting Zeffirelli, to say nothing of co-screenwriter Anthony Burgess of “Clockwork Orange” fame, had downplayed or even denied Jesus’ divinity, some prominent religious leaders condemned the film, sight unseen, for its alleged blasphemy. One sponsor (General Motors) bowed out, and another stepped in (Proctor and Gamble, years before the company fought off unsubstantiated charges that its logo was Satanic). “Jesus of Nazareth” aired as scheduled, in two parts on two successive Sunday evenings, earning high ratings and praise from critics of all faiths.”Jesus of Nazareth” is, hands down, the finest dramatic retelling of the life of Jesus to date. As George Stevens did with his 1965 fiasco, “The Greatest Story Ever Told,” Zeffirelli recruited an all-star cast, but whereas Stevens could only have hired John Wayne to play a Roman Centurion because the Duke’s name would look nice on the posters, Zeffirelli chose his stars because they were gifted actors perfect for their roles. One doesn’t ooh and aah at the sight of Rod Steiger, Anthony Quinn, or Laurence Olivier, but rather marvel at how well they believably bring Pontius Pilate, Caiaphas, and Nicodemus to respective life. As good as they are, the most impressive performance may come from a less illustrious “name,” James Farentino, who makes for a very commanding Peter. It could be argued that the film is too pretty at times (this is, after all, the work of the man who made 1968′s lushly romantic “Romeo and Juliet”), bringing to mind the kind of postcard depiction that Mel Gibson’s “Passion of the Christ” attempts to counter, but the script and performances thankfully lack the dry solemnity that often drains any semblance of life from most dramatic interpretations of the Bible. Robert Powell’s Jesus doesn’t merely “quote” passages from the New Testament but speaks the words of Jesus as those words might have been spoken for the first time. The crucifixion, though not as brutal and bloody as it probably was, also seems to be portrayed more realistically than usual, with Jesus carrying only the beam of his cross to Calvary which history seems to suggest was more likely the case.Maurice Jarre’s score is sometimes moody and always reverent without being pompous, and despite its length, the story never drags. “Jesus of Nazareth” is an outstanding achievement, all the more impressive when one considers it was produced for television.
Review by Reginald D. Garrard for Jesus of Nazareth
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It is inconceivable that on Amazon there are only 90 reviewers for Franco Zeffirelli’s masterful and inspiring masterpiece as opposed to over 2000 for “The Matrix,” a less-than-monumental piece of fluff from 1999.”Jesus of Nazareth” sports a cast of Academy Award-winners (Lawrence Olivier, Anne Bancroft, Ernest Borgnine, and Peter Ustinov, to name a few) and nominees (James Earl Jones, James Mason, Christopher Plummer) as well as a support from an international group of performers. Olivia Hussey brings just the amount of warmth and humanity in the role of Mary; Rod Steiger deftly portrays Pontius Pilate as a man torn between duty to his country and awe of this man called Jesus; Michael York is stunning as John the Baptist.Robert Powell brings to the movie the definitive portrait of Jesus. His passionate performance is the stuff of legend. Prior to this motion picture, there had been few instances wherein Christ had been seen; it is as if the screen was awaiting the right man for the part. Powell proves that to be true; he is perfect!If I have motivated even one soul to purchase this masterwork, then I have accomplished the goal of this review. Money could not be better spent.
Review by Bill for Jesus of Nazareth
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Jesus of Nazareth, a British production, directed by Franco Zeffirelli debuted on network television (NBC, I believe)in the spring of 1977–as a miniseries!–and was a ratings success. Needless to say, television producers would not try to duplicate the feat today.I watched Jesus of Nazareth Easter Sunday on the History Channel…not all of it, about 3 hours of it. It is such a tremendous achievement of script, portrayal, performance that I wonder why IT is not the broadcast standard of Biblical themed films in the televised media (and why the Ten Commandments is).This assembled cast cannot be equaled–Olivier as Nicodemus, James Mason as Joseph of Arimethea, Ian McShane as Judas, Ian Holm as the fictional creation (and successfully done) of a Sanhedrin leader named Zara,Christopher Plummer as Herod, Stacy Keach as Barrabas, Anne Bancroft (kudos) as Mary Magdalene, Rod Steiger as Pontius Pilate, and Robert Powell (an unknown actor at the time transforms himself like DeNiro did as Jake Lamotta) in an amazingly unrecognized performance as Jesus.Not all the performances are noteworthy–James Farentino as Peter, Anthony Quinn as a Sanhedrin leader, and the actress who plays Herod’s wife are flops.The most exceptional scenes—when Jesus narrates the story of the Prodigal Son (which brings Matthew and Peter together), the Last Supper ( a supreme accomplishment of filmmaking), the raising of Lazarus, the judgement of Jesus by Pilate, the dialogue between Jesus and Barrabas at the baths, the passionate lecture Jesus dispenses on the Pharisees, and the overwhelming, incredibly moving cry of Jesus to the prophet Elijah as he perishes—no matter what one believes, recognizes, adheres to–this is an unparalleled, historic story of a man who displayed conveyed behaved as the most perfect embodiment of a human being could…to achieve his destiny as deity.
Review by Eduardo Nietzsche for Get On the Bus
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His best: social journalism. Nobody brings perennially pressing issues to the screen as consistently and vitally as Spike Lee—love or hate his films as you may, there’s no argument that he does a superb job of provoking debate and reflection. Here it’s Lee’s two favorite topics, racial history/injustice/relations and (less prominently but still significant) gender/sexual issues…treated with a vast amount of humor and often insight. His worst: at times some of his films implode when Lee gets on his soapbox and goes too heavy-handed—the Message blots out the Movie. This happens towards the last one-third, with the last 10 minutes especially preachy and contrived. The film craft breaks down, characters and dialogue that before had been pretty much spot-on suddenly verge into labored allegory and caricature. It’s like Lee drew up a laundry list of Pressing Societal Problems (brings to mind Larwence Kasdan’s “Grand Canyon”) and tried to allot 5-10 minutes for each one. Sometimes he does so with grace and wit, but sometimes he stumbles into glibness and stereotyping. I was a little disappointed that Lee didn’t show more of the actual Million Man march, maybe explore the controversial Louis Farrakhan a little bit more deeply. I was however pleasantly surprisd that Lee does take a fairly mature, gutsy stand on homosexuality and homophobia absent in some of his earlier films.Had Lee made this film more as a straight (or pointed) documentary rather than trying to turn it into a heavy-handed inspirational treatise, I’d gladly give it 5 plus stars. Even in its current form it’s well worth watching.
Review by Rob Walsh for Get On the Bus
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Get on the Bus is one of Lee’s best works. Poignant, funny and introspective, it tells the tale of various black men from various walks of life; a father and his estranged, angst-ridden son, a gay couple, an arrogant actor, an ex-Crip turned Muslim, a half white cop and Ossie Davis as the “spiritual grandfather/moderator” type. They travel from California to DC for the Million Man March, and along the way come to terms with prejudice and hatred they have felt without as well as within.Some may criticize the “stereotypical” treatment of the white characters, but this may be a bit much. The Jewish Bus driver is an honorable character, and in a scene with him and Charles Dutton, director Lee let’s him speak his side of the story “OK, I may have some problems with blacks….but no more worse than the problems you have with whites. I don’t have anything to prove to these guys”. Randy Quade’s redneck cop may have been over the top, but suffice to say, there are people in parts of America who still treat people that way.Overall, I think this film is definitely Lee’s most underrated work.
Review by John K. Reed for Get On the Bus
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set against the backdrop of the Million Man March.I believe that many people see us as one person, with a single set of feelings, motivations, values, abilities, temperments what have you. Spike Lee has done a wonderful job of chronicling the many different facets of what the black male experience is in america. But at the same time he very accurately shows how despite our differences, political affiliations, generations, educational levels, economic realities, and even sexual orientation we have a common goal and collective spirit that binds us together perhaps in a way that no other group (in america) will hopefully ever have to be bound. As only a small minority of the populace falls within the spectrum of the characters represented in the film so too will only a small minority of the viewing public recognize the importance and quality of this film.As a participant in the March itself I felt tremendous pride in seeing such a large and diverse representation of black america assembled united in a common cause. Not one that is directed angrily at anyone but one that hopes to inspire the individual to take greater responsibility to himself, his family, community, and mankind as a whole.Accordingly this film is a fitting tribute to that event and the spirit of its participants and sympathizers.
Review by Walter Edwards for Get On the Bus
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Don’t get it wrong this movie is not about the Million Man March. This is an excellent work portraying the diversity amongst African-American men. This movie not only showed these differencies but also the interaction between their different views on current affairs, and how this affects unity amongst African-American men and women. I like how Spike Lee used the camera on the bus to give the viewer the feeling of actually riding on the bus with the travellers. The documentary feeling of the film also served to bring your psyche into the work.
Review by Derrick Dunn for Get On the Bus
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The first time I saw this movie , I wasn’t impressed with it. It seemed boring and pointless. Then I watched again with friends and got the message behind it. Spike Lee has made a great male bonding film that everyone should see no matter what color you are.