Comments on: Rollerball

By: Sanpete

Sanpete — Sun, 04 Jul 2010 12:01:00 +0000

Review by Sanpete for Rollerball Rating: Amazon has mixed up the reviews for the original Rollerball (with James Caan from 1975) and the remake (with Chris Klein from 2002). The customer reviews for the original are generally fairly good (user rating average at IMDb is 6.4/10, above average), for the remake the opposite (2.7/10, abysmal). Just keep that in mind if you're trying to decide what to buy based on these reviews.

By: Anonymous

Anonymous — Sun, 04 Jul 2010 11:45:05 +0000

Review by for Rollerball Rating: This film is exactly what the world of sci-fi needed. It is a painstakingly detailed, highly tear-inducing, look into a future wherein everything is run by huge corporations. The world is a thriving marketplace. But this apparent happiness by many is shadowed by the game on which the entire world places their money. The game is rollerball; a strange mix of basketball, roller derby, rugby and ice hockey. The wounds some players endure are enough to take a life. There is a time when the games has no time limit, and the last player left standing wins for the team. It is at this game that we realize the brutality of the world in which we might live. The acting is marvelous; James Caan's fine performance is just as potent and unwaveable as was his Sonny Corleone performance in "The Godfather". The action is harrowingly realistic and the overall edge-of-your-seat suspense is easily provided. The camera work is often incredible as we can see the expressions on the players' faces. A widescreen version would very much help in exhibiting the grandeurof this movie. I thought the slow-motion sequences, though a vey old trick, were used most effectively, particularly during the game scenes. This picture is often called one of Norman Jewison's best films. If it's not the best, it is certainly the most underappreciated.

By: Brent A. Anthonisen

Brent A. Anthonisen — Sun, 04 Jul 2010 11:38:35 +0000

Review by Brent A. Anthonisen for Rollerball Rating: "Rollerball" (judged one of the best sports movies of all time by Sports Illustrated) is more than a sports movie (although in 1975 Norman Jewison was only guessing at the thrall in which superstar athletes such as James Caan's Jonathan E could hold the public; fans carry pictures of him to matches as though he were Chairman Mao or Yasser Arafat), more than an action movie (though the stunt sequences during the games rival those of "Mad Max"), and much more than Orwellian science fiction.
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The strengths of the movie lie in the way a society that is run from cradle to grave by corporations (rather than governments) is effectively portrayed as being both class-driven (director Norman Jewison uses the time-honored Hollywood trick of using actors with English accents to play the ruling corporate class, while the Rollerball players have working-class Southern U.S. drawls when they speak at all) as well as completely desensitized from all of humanity's pains through the creature comforts (including those of the recreational pharmaceutical variety) provided by the corporations.
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The public channels what remaining passion for violence that exists in their world through the game of Rollerball, allowing themselves to be deluded into thinking that the carnage going on in their arenas and on their Multivision sets is perfectly excusable becasue it is not perpetrated by men but by machines ("Don't be silly, they're made in Detroit"). There is some question to the validity of the game itself; after the first match shown on film (the quarterfinal game of the season, it seems), the coach of Jonathan's team remarks that they will play New York in the Final. Knowing that they still have a game to play before reaching the Final, this seems not in itself anything more than a coach inspiring the confidence of his team. But by indicating that New York will be the opponent (when presumably New York also has a semifinal match to play) would seem to indicate that the season is pre-scripted, not unlike WWE wrestling or the soccer seasons in the former East Germany.
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And no one, save Jonathan E (the sports greatest and by default most violent player), ever questions the idea that no one is allowed to make even the most basic decision for themselves (men and women don't seem to meet and fall in love; rather, couples are "assigned" to each other).
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In a telling moment, Jonathan and his ex-wife (Maud Adams; in the future all women are models) are talking about the "benefits" of corporate society; she remarks that civilization has always been a crusade against poverty. Jonathan makes the most Libertarian remark I've ever heard in a major motion picture when he believes that the luxuries of corporate society have succeeded in "buying off" its citizens, that the last decision society ever made was to be comfortable rather than free, which then enabled the corporations to take over everything.
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This has always been one of my favorite movies; when I was a kid I enjoyed it because of the action (American audiences have always ben more riveted by the game itself rather than the deeper philosophical meanings to the film), but as I've gotten older and more politically aware I have come to appreciate the underlying nefarious themes behind the game and have thus gained an even greater enjoyment of an already terrific film.

By: Paul Kyriazi

Paul Kyriazi — Sun, 04 Jul 2010 10:50:18 +0000

Review by Paul Kyriazi for Rollerball Rating: The rollerball game of the future was created for a special reason. "To show the futility of individual effort." To make anyone that wants to go his own way, bow dowm to the powers that be. James Cann, in one of his best roles, is Johnathan E, rollerball's super star. He's relaxed and friendly off the track, and a determined gladiator on. The action is great and strangly hypnotizing as skaters and motorcyclists race around a large circular track, trying to throw a steel metal ball into a basket.John Housman makes one of the best establishment heavys as he hints, demands, and threatens Johnathan to retire. For people that like gladiator movies, sports action, or the lone man trying to survive, Rollerball will excite you. You'll be shouting Johnathan's name along with the crowd. And after it's over, you'll feel like taking on the world. Yes, a great motivational movie as well. Pay no attention to remake. This is the one and only "Rollerball".

By: Conno

Conno — Sun, 04 Jul 2010 10:22:30 +0000

Review by Conno for Rollerball
Rating:
A friend came over the other night and poped the “Rollerball” DVD into the player – for a moment or two I grimaced, imagining some sort of .. poor 1970s version of “The Running Man” – little did I know it would be MUCH BETTER!Was I surprised when the movie that unfolded was more like a cross between the stories of “1984″, the computer game “Syndicate”, and the court case against Bill Gates.The story is about the fact that the world has evolved into a place where six major companies run everything, with very basic names: “Energy Corporation”, “Leisure Corporation”, “Food Corporation” etc., where each company has its own anthem and logo/colour scheme.The corporations control EVERYTHING, including the main pastime for the people of Earth, “The Game”, Rollerball.Are you still with me? While it sounds very totalitarian, it is very realistic, with much of what goes on today reflected into this film…Anyway, the plot revolves around a champion of “The Game”, Jonothan E., who is so great, so popular that the Corporations Committee becomes scared and decides to force him to quit. But Jonothan has other ideas – the Committee has already taken his wife away, now his career… It is all too much for him, and the film develops into a battle (both violent and covert) against the Committee of Corporations.A brilliant film which is about to be remade – directed by John McTiernan, the guy who did Die Hard, Predator, Hunt for Red October, 13th Warrior etc… But watch the original and be able to see what maes it a great film.The story is truly imaginative and clever, James Caan is brilliant, the art direction is great (winning a BAFTA). Watch this film, BUY IT!